Vincenza Lampon ’23 (BFA) resolved to use her thesis to radically rethink the way shelter design serves the unhoused. She collected empirical data, learning that “shelters rarely have design practices built into them.”
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As Motomu “Lucia” Sakakibara ’23 (BFA) embarked on her thesis research, she envisioned a destination where people in metropolitan areas could go for decompression and self-reflection. Her models were Storm King, Dia Beacon, and Grace Farms, non-profit cultural organizations that brought her quietude and inspiration when she needed space from the city. For her cultural organization’s location, she chose a 1930s building, originally a stable, in Croton-on-Hudson, New York, on a plot of land ringed by woods.
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Chairman’s Award winner Charlotte Doody '23 (MFA1) researched many spas and wellness centers in preparation for her thesis. Her inquiry resulted in this revelation: “In modern day America, taking care of one’s health has become a sacred practice—a pilgrimage towards balance and well-being.” So she designed Aether Wellness Center around the idea that, “health is a new religion.”
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For her thesis, Nivedhitha Ravi '23 (MFA2) was determined to “translate the needs of seniors into spatial solutions” in an innovative community for elders. Her intended client was the National Council on Aging. She researched the specific needs of current New York City seniors, because context and culture make design stronger. She found that, “Seniors need to be able to move around, but existing nursing homes restrict movement in an effort to reduce falls.”
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A real company and brand inspired Stefano Falez ‘23 (MPSS). KEEL.LABS is a North Carolina-based start-up driven by the exploration of new resources from the ocean to create fabrics with low carbon footprints.
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“The intent was for the design to be able to minimize light trespass (from inside to outside and outside to inside) without compromising the safety of a student campus,” Nirali Prajapati ‘23 (MPSL) says. “This translated into Dark Sky-friendly lighting, flexibility for personalization in private units, and sustainability and durability becoming the basis for the lighting design approach.”
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2022-23 has been a banner academic year for NYSID students in regard to winning industry-wide competitions.
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With Prohibition, Grace Spiezia and Samantha Berlanga set out to create a full-service healthy dining experience, offering locally sourced, pesticide-free foods in the footprint of a real building in Tribeca. The commercial space includes a market, outdoor eating, restaurant spaces, and a speakeasy, hidden by a secret entrance on the first floor.
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Katherine Ugorec’s Canarsie Micro Hospital, located in the landmarked ruin of a former smallpox hospital on Roosevelt Island, is designed to provide patients 12 years and older with access to orthopedic care within 72 hours of injury.
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Josefina Ortuzar envisioned her lighting thesis set in a luxury hotel on Lake Louise, located in Banff National Park, Canada. She chose this wild location because it’s one of the places in the world most free of light pollution, a getaway known for its clear night skies full of bright stars and views of the Northern Lights.
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Whether you’re searching for a first design job in an expanding or a retracting market, the same principles apply. Three NYSID students, Min Ae Choi (MFA1, graduating 2023), Antonio Harris (MFA1, graduating 2023), and Melida Valera (MFA1, graduating 2024) offer insights about their recent internships at great firms and how they landed them.
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When Wilson Yang ‘22 (MFA1) began Thesis Preparation, he knew he wanted to integrate his passion for his first career of fashion design with his new calling of interior design.
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For her capstone project, Wunjin Hwang ‘22 (MFA2) was drawn to the high-end fashion brand Maison Margiela for two reasons. The first is that the brand regards fashion as a form of artistic expression.
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Allie George ‘22 (BFA) wanted her thesis to be a marriage of her two great passions, interior design and fashion, and for many years she’s been an admirer of Hubert de Givenchy’s “classic, elegant, and sophisticated style.”
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When Janice Julianti ‘22 (BFA) set out to design what would become “The Kingsland: Affordable Housing Apartments for Seniors and the Disabled,” she was struck by the way the COVID-19 pandemic isolated seniors, and drove many into poverty.
Read MoreNYSID MPSS advisor William Browning on biophilia, the subject of his latest book.
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Shruti Kashikar (MFA1 student), Ryan Biggs (BFA, ’21), and Dalia Cunow (BID student) are parents of young children who set out to reinvent themselves through a NYSID education. They say simultaneously parenting and studying at NYSID is challenging, and worth it. Here are their insights, along with those of Penni Morganstein, PsyD, NYSID’s director of counseling services.
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“We designed this symposium to create a circular dialogue between students, instructors, and practitioners. . .We opened it up to educational institutions all over the country, because this issue is much bigger than NYSID.” — David Sprouls, president of NYSID.
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Jon Retsky ‘20 (MPSL) started his career in the theater, so when it came time to select the subject of his thesis for the MPSL, he jumped at the opportunity to create an architectural lighting design for the Theater School at DePaul University in Chicago.
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Taylor Renaud ‘21 (MPSS) collaborated with fellow student Lindsey Draves on this flagship retail store for Fenty Brands in an existing three-story, 6,800-SF footprint in SoHo. The challenge from NYSID was to create a sustainable project that promoted social justice and diversity.
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