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Cancelled: A Deep Reading of Interior Design

  • New York School of Interior Design, Arthur Satz Auditorium 170 East 70th Street New York, NY, 10021 United States (map)

In response to current health concerns surrounding COVID-19 the NYSID Gallery will be closed until April 19th and public programs will be cancelled for the remainder of the semester. Details for rescheduling will be available on our website, nysid.edu. If you have registered for this program we will reach out to you individually regarding refunds, if you have any questions please email rsvp@nysid.edu.

We value your continued patronage and support of our programs. For more information on NYSID’s response in regards to COVID-19, visit nysid.edu/covid19.


 
Le Corbusier, Rooftop Terrace at the Charles de Beistegui Penthouse, Paris, 1929–31. Published in "Plaisir de France,” March 1936. © Vitra Design Museum, copyright for the works of Le Corbusier © Fondation Le Corbusier / VG Bild-Kunst, Bonn 2020

Le Corbusier, Rooftop Terrace at the Charles de Beistegui Penthouse, Paris, 1929–31. Published in "Plaisir de France,” March 1936. © Vitra Design Museum, copyright for the works of Le Corbusier © Fondation Le Corbusier / VG Bild-Kunst, Bonn 2020

 

Join us for a panel discussion exploring the gap between interior design and the world of ideas.  If formal criticism is a mainstay of architecture and the various arts, not to mention food and fashion, why not interiors? Panelists Mitch Owens (Architectural Digest),  Suzanne Stephens (Architectural Record), and Chad Laird (New York School of Interior Design) will weigh in, considering the intellectual stakes of design in a discourse-obsessed age. Co-sponsored with the Sir John Soane’s Museum Foundation.

Student tickets are free. Please email info@soanefoundation.org to reserve student tickets.

Join us for a season of lectures that challenge us to rethink our role as observers and arbiters. Painter and printmaker William Hogarth (1697-1764) commented on the culture, politics, and bawdy social surroundings of daily life in 18th century London. His contemporary and fellow Royal Academician, Sir John Soane, viewed Hogarth as a powerful creative figure whose work defied classical norms, and had to be judged by a different standard. We will explore the ongoing legacy of art as a tool for social criticism as well as Hogarth’s attempts to define aesthetics through analytical diagrams and essays including The Line of Beauty.

The Soane Foundation’s 2019-2020 Lecture Series coincides with the Museum’s exhibition Hogarth: Place and Progress, on view from October 9, 2019 – January 5, 2020. In this exhibition, supported in part by the Foundation, all of Hogarth's surviving painted series will be united for the first time to examine his complex views on morality, society and the city. Click here to visit the Museum’s website for more details.

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